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Converts 5500K to 4900K
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Converts 5500K to 4500K
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Converts 5500K to 3800K
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Converts 5500K to 3200K. Nice strong amber. Less pink than R04.
(Transmission = 58%).
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Converts 5500K to 2900K
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(Transmission = 92%).
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(Transmission = 81%).
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(Transmission = 73%).
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(Transmission = 50%).
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(Transmission = 33%).
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(Transmission = 17%).
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Very pale yellow. Interior lighting to create industrial mood.
(Transmission = 80%).
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Double 4515. Medium yellow with green tone. Bright sunlight accents. Not flattering on skin. Combine with 4430 for rich foliage washes.
(Transmission = 75%).
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Double 4530. Strong yellow with green tone. Deep sunlight rays.
(Transmission = 70%).
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4530 + 4560. Very strong sunlight with no red accents.
(Transmission = 66%).
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Flattering Firelight
(Transmission = 23%).
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Deep yellow with amber tones. Strong, late day sunlight. Flattering on skin.
(Transmission = 64%).
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Very pale red. Subtle warming on skin tones. Warmer than R05.
(Transmission = 67%).
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Double 4615. Pale red with peach tones. Nice on skin when paired with a cooler cross light.
(Transmission = 55%).
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Double 4630. Medium red with pale salmon accents. Romantic subtle back or side lighting.
(Transmission = 39%).
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4660 + 4630. Strong salmon red. Deeper and more orange than 32. Beautiful backlight.
(Transmission = 30%).
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Between 33 and 333. Excellent on all skin tones. Not as cool as 333.
(Transmission = 71%).
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Double 4815. Pretty pink. Slightly more blue than 34. Nice for musicals and "happy" lighting.
(Transmission = 61%).
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Double 4830. Rich pink accent. Excellent in follow-spots.
(Transmission = 46%).
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4830 + 4860. Deep rich pink. Lighter than 332. Romantic backlight or accent color.
(Transmission = 38%).
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Partial green absorbing filter.
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Partial green absorbing filter.
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Partial green absorbing filter.
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Converts cool white fluorescents to daylight.
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Pale Magenta. Cooler than 3318. Useful on many skin tones.
(Transmission = 65%).
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Double 4715. Medium cool magenta. Nice fill light without adding warmth.
(Transmission = 52%).
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Double 4730. Strong pink/magenta. Interesting side light with slight bluish cast.
(Transmission = 37%).
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4760 + 4730. Clean dominant magenta. Good choice for CYM color mixing.
(Transmission = 28%).
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Pale no color lavender. Slightly cooler than 351. Tones without adding color.
(Transmission = 61%).
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Double 4915. Excellent cool on skin tones. Nice warm tones during nighttime.
(Transmission = 47%).
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Double 4930. Rich comfortable lavender. Compliments darker skin tones.
(Transmission = 29%).
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4960 + 4930. Dynamic, lush backlight. More red than 357.
(Transmission = 18%).
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Boosts 3200K to 3300K
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Boosts 3200K to 3500K
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Boosts 3200K to 3800K
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Boosts 3200K to 4100K
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(Transmission = 41%).
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Boosts 3200K to 5500K
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Bright nighttime area light. Crisp moonlight.
(Transmission = 10%).
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Very pale blue tint with a hint of red. Nice no-color definition when crossed with 51.
(Transmission = 57%).
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Double 4215. Pale blue with reddish cast.
(Transmission = 42%).
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Double 4230. Medium blue with red tones. Nice cool crosslight on most skin tones.
(Transmission = 24%).
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4260 + 4230. Deep red blue. Enhances deep blues in costumes and scenery. Vibrant backlight.
(Transmission = 15%).
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Rich deep indigo blue. Slightly more red than 81.
(Transmission = 10%).
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Deep icy blue with violet undertones. Moonlight illusions.
(Transmission = 4%).
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Deep reddish purple. Nice as saturated special accent.
(Transmission = 3%).
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Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat resistant base. Deep dyed.
(Transmission = 78%).
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Very pale blue green. Interesting industrial daytime skies. Use with caution on skin tones.
(Transmission = 72%).
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Double 4315. Slightly greener than "normal" daylight. Uncomfortable skylight.
(Transmission = 63%).
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Double 4330. Strong eerie daylight. Simulates fluorescent and industrial light sources.
(Transmission = 50%).
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4360 + 4330. Strong cyan. Fantasy water scenes.
(Transmission = 39%).
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(Transmission = 18%).
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Adds partial green to balance with fluorescents.
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Adds partial green to balance with fluorescents.
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Adds partial green to balance with fluorescents.
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To balance daylight sources to cool white fluorescents.
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Pale, balanced green without yellow tones. Nice for leaf breakups and foliage washes.
(Transmission = 67%).
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Double 4415. Golden green wash. Less saturated but strong, balanced green. Excellent for exterior landscaping.
(Transmission = 52%).
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Double 4430. Rich bright green. Good transmission of color.
(Transmission = 32%).
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4460 + 4430. Bright saturated clean green.
(Transmission = 18%).
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Strong dominant green. Less yellow than 90. "Christmas tree" green.
(Transmission = 15%).
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A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear.
(Transmission = 100%).
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Enhances fair skin tones. Suggests strong sunlight.
(Transmission = 56%).
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Good where a tint of color is needed. Excellent for natural skin tones.
(Transmission = 78%).
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Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four.
(Transmission = 88%).
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Most saturated Bastard Amber.
(Transmission = 62%).
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Heavier Amber-pink tint. Useful to create warm sunlight.
(Transmission = 55%).
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Especially useful when cross lit with a cool color. Excellent for natural sunlight.
(Transmission = 66%).
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A peach amber. More yellow than 305.
(Transmission = 79%).
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A clean pale pink; useful as a blush for skin tones.
(Transmission = 80%).
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A pale blush amber for skin tones and backlight.
(Transmission = 75%).
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Slightly off white. Good for interiors.
(Transmission = 92%).
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Double saturation of 06.
(Transmission = 96%).
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Warmer straw. Flattering to skin tones.
(Transmission = 86%).
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Deep straw. Good for late afternoon sunsets or firelight.
(Transmission = 74%).
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Yellow with green. Good for special effects. Unflattering in acting areas.
(Transmission = 92%).
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A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects.
(Transmission = 82%).
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Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling.
(Transmission = 82%).
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Greener yellow than 10. Special effects and accents. Use with caution on skin tones.
(Transmission = 88%).
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Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin.
(Transmission = 85%).
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Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues.
(Transmission = 78%).
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Vibrant Yellow. More red than 312. Less green than all other yellows.
(Transmission = 77%).
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Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones.
(Transmission = 68%).
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Warm golden amber with some green. Useful for special effects-candlelight, firelight.
(Transmission = 65%).
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Excellent area light. Light pink-amber tint. Safe for most light skin tones.
(Transmission = 68%).
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A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting.
(Transmission = 58%).
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Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool color. Good general warm tint in striplights.
(Transmission = 56%).
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A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color.
(Transmission = 51%).
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Warm pinkish amber. Afternoon sunset. Good sidelight.
(Transmission = 56%).
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A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects.
(Transmission = 52%).
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Strong red amber. Excellent for fire effects.
(Transmission = 20%).
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Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values.
(Transmission = 54%).
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Useful for amber cyc light and late sunsets.
(Transmission = 43%).
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An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day.
(Transmission = 39%).
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Very useful as a backlight. Dramatic specials and firelight.
(Transmission = 26%).
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Provides a romantic sunlight through windows for evening effects.
(Transmission = 32%).
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Very deep amber. Red with a touch of blue.
(Transmission = 22%).
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Vibrant orange-red. Helps red and orange scenery pop.
(Transmission = 31%).
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Good for firelight or special effects. Use when red with higher yellow content is needed.
(Transmission = 14%).
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Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc.
(Transmission = 18%).
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Vibrant red. Good alternative primary.
(Transmission = 12%).
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</