Cinematographer Benjamin Gaskell created the same soft look of a Book Lighting setup using a DMG Lumière MAXI Switch shining through a piece of Rosco diffusion during a David Crosby music video shoot.
Popular in European theaters, the Rosco Supergel range of color filters has many characteristics that set it apart from other lighting filters.
BRC Imagination Arts selected Rosco Miro Cube UV LED fixtures to illuminate specialty fluorescent graphics inside the Rock & Roll Hall of Fame.
Introducing MIX from Rosco and DMG Lumière – an LED fixture that will change how filmmakers create colored light on set.
Back in the ’70’s & 80’s, Lighting Designer, Tony Tucci, had to hand-cut his own gobos. This is the story of how some of those designs are now a part of Rosco’s extensive library of gobo patterns.
A set of Rosco #2007 Storaro Blue filters were sent to the International Space Station to modify an IR-sensitive camera so that students back on Earth can observe our planet’s vegetation health.
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Lighting Designer, Al Crawford, designed a custom gobo for a gala he was designing. That pattern is now a part of the Rosco gobo library. Al shares the inspiration for his Crawford Leaf gobo design.
Scenic Artist, Angelique Powers, shares several techniques on how to create faux patina effects for scenery and props using Rosco Scenic Paint products.
Seattle Channel renovated the lighting system in their broadcast studio with several Rosco LED light fixtures to create a cooler work-environment with lighting that matched their plasma studio monitors.