Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Rosco’s own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of “Rock of Ages.”
Lighting Designer Micha Margalit used Rosco Custom Glass Gobos inside our Image Spot LED Projector to display scenes of ancient daily life directly onto the archaeological ruins inside Israel’s Bet She’an National Park.
Tonya Coker, owner of Dance Branson School Of The Arts, talks about the success of her dance program for special needs children and how Rosco’s marley dance floors helped her bring it to life.
Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Scenic Artist Laura Scheving shares her recent project that highlights how to create marvelous sunrise and sunset backdrop effects with Rosco Scenic Paints.
Production Designer Dan Novotny shares how he was able to create California landscapes for the television show “The Arrangment” using two large Rosco SoftDrops.
Rosco Custom LitePads were chosen to illuminate one of the central reception areas of Dublin’s redeveloped Miesian Plaza.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using Plexiglas and Rosco CrystalGel and Supersaturated Scenic Paints.