The artisans that create the floats for the Toronto Santa Claus Parade use a variety of Rosco scenic products to bring their characters to life.
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of “The Lion, the Witch and the Wardrobe.”
Props artisan Karestin Harrison shares two of her favorite recipes for creating fake food that can be used in theatre or film/video productions.
Lighting designer Jordan Green created engaging lighting effects for the musical “Dzsungel Könyve” (The Jungle Book) using gels, gobos and a little fog.
The team at the Derse marketing agency uses a blend of Rosco Fluorescent Paints to add the electric “pop” needed to create the neon Volt color seen inside Nike Stores across the United States.
A lighting designer used different Rosco color filters to portray the multiple alter-egos of actress Gena Rowlands in a dance piece entitled “Gena, Gena!”
RoscoLED Tape provides the backlighting for an exhibit of iconic rock & roll photographs from photographer Neal Preston.
A theatre instructor in Tucson Arizona shares how he created ‘Greased Lightning’ for his production of “Grease,” which he painted with Rosco Off Broadway scenic paint.
An inquiry about our gel numbering system comes in via email from a theatre student in Oklahoma. Stan Miller, the owner of the company, responds with the whole history!
A technical director explains why he chooses Rosco’s Tough Prime Black to cover the stage deck in his theater.