Two hospitality venues share how they project their branded messages using the Rosco Image Spot gobo projector.
Photographer, Nathan Stampfli, describes the lighting setups in his recent 50’s-themed photo shoots, including the exact colours he chose from Rosco’s Color Effects Filter Kit.
Lynn Lane, Photographer for Houston Grand Opera, used three Silk 210 LED fixtures to light a series of ‘silent interview’ portraits of local Houston Veterans for a music video celebrating HGO’s “Veterans Songbook” project.
Lighting Designer, Nick Davidson, installed our ultra-compact Pica Cubes inside a moving platform for DIAVOLO Dance Company because A.) they fit and B.) they were able to operate via wireless DMX & Battery Power.
VIETV-Houston chose RoscoLED Tape to illuminate their news set. They found it to be much easier to use than the LED tape they had installed in previous studios.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Photographer, Tim Engle, combined fog and contrasting, complementary colors to create drama, tension, and excitement during a high school football photo shoot.
Choreographer, Wayne McGregor & Lighting Designer, Lucy Carter, used Rosco Custom LitePads to create a vibrant, orange band of light as the sole visual element on stage for the ballet “Obsidian Tear.”
Lighting designers from Light Collective found that Rosco’s LitePad Vector was the perfect light to use while shooting interviews for their documentary – “The Perfect Light.”