Lighting Designer, James K. Davis, shares a useful, low-budget, low-tech solution for blending projections from two projectors onto one surface.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Thanks to Airbnb, Rosco’s Margie Heymann ended up renting space inside the apartment of Choreographer/Lighting Designer Christopher Caines. While they were neighbors, Margie interviewed Christopher about his approach to lighting for dance.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Rosco’s own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of “Rock of Ages.”
Theatrical Consultant Erich Friend specifies Rosco LitePads to illuminate makeup & dressing room mirrors because they’re safer & cooler than incandescent, and they render color better than CFL & LED replacement bulbs.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
The crew for Pierce the Veil’s “Made To Destroy” Tour needed a solution for making haze at their outdoor venues. Rosco Fog Fluid + the Vapour Plus Fog Machine did the trick!
Rosco’s Margie Heymann shares her memories about legendary lighting designer Tharon Musser and the impact she had on stage lighting and on Rosco.