Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Production Designer Dan Novotny shares how he was able to create California landscapes for the television show “The Arrangment” using two large Rosco SoftDrops.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Cinematographer Michael Svitak recently shot a series of interviews across the US for Home Helpers. He needed a mobile LED fixture that would provide attractive lighting. The Rosco Silk 210 Kit did the job.
The crew at Stoopid Buddy Stoodios used Rosco’s smart Cube Family LED lighting solutions to speed up their shooting time on the hit stop-motion show “SuperMansion.”
Christian Epps, an acclaimed gaffer and lighting designer, shares his lighting techniques with filmmakers in Lagos, Nigeria – including how to work with Rosco’s range of correction, diffusion & bounce materials.
Virtual studios around the world are choosing Rosco’s affordable, reliable and easy-to-install Chroma Floor as the blue/green screen flooring solution for their sets.
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
Rosco provided the “Hidden Figures” filmmakers a key element to their Mercury Mission Control Center set and helped them accomplish their mission of keeping the film historically accurate.
HTV Houston, which is located inside Houston’s City Hall, sought out a powerful LED lighting solution that would also preserve the look and feel of the historic space. Rosco Braq Cubes were their answer.