Rosco has hundreds of backdrops available to rent on your next production. Art departments rely on these five drops again-and-again for background imagery that works on their set.
Cinematographer Matt Bendo used a Rosco V-Hazer to create atmosphere in four different scenes of a short film, which provided each scene with its own distinct mood and tone.
Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.
Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Production Designer Dan Novotny shares how he was able to create California landscapes for the television show “The Arrangment” using two large Rosco SoftDrops.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Cinematographer Michael Svitak recently shot a series of interviews across the US for Home Helpers. He needed a mobile LED fixture that would provide attractive lighting. The Rosco Silk 210 Kit did the job.
The crew at Stoopid Buddy Stoodios used Rosco’s smart Cube Family LED lighting solutions to speed up their shooting time on the hit stop-motion show “SuperMansion.”
Christian Epps, an acclaimed gaffer and lighting designer, shares his lighting techniques with filmmakers in Lagos, Nigeria – including how to work with Rosco’s range of correction, diffusion & bounce materials.
Virtual studios around the world are choosing Rosco’s affordable, reliable and easy-to-install Chroma Floor as the blue/green screen flooring solution for their sets.