A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Al Jazeera recently built two revolutionary broadcast production facilities in London and Qatar – both of which featured floor-to-ceiling windows outfitted with RoscoVIEW to showcase the studios’ panoramic views.
The new MBC Group studios in Dubai and Riyadh are filled with state-of-the-art broadcasting technology – including Rosco Silk LED soft lights, Braq Cube WNC LED fixtures and almost 4 km of RoscoLED Tape.
Rosco has hundreds of backdrops available to rent on your next production. Art departments rely on these five drops again-and-again for background imagery that works on their set.
Cinematographer Matt Bendo used a Rosco V-Hazer to create atmosphere in four different scenes of a short film, which provided each scene with its own distinct mood and tone.
Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.
Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Production Designer Dan Novotny shares how he was able to create California landscapes for the television show “The Arrangement” using two large Rosco SoftDrops.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.