A set of Rosco #2007 Storaro Blue filters were sent to the International Space Station to modify an IR-sensitive camera so that students back on Earth can observe our planet’s vegetation health.
Photographer, Nathan Stampfli, describes the lighting setups in his recent 50’s-themed photo shoots, including the exact colours he chose from Rosco’s Color Effects Filter Kit.
Lynn Lane, Photographer for Houston Grand Opera, used three Silk 210 LED fixtures to light a series of ‘silent interview’ portraits of local Houston Veterans for a music video celebrating HGO’s “Veterans Songbook” project.
Photographer, Tim Engle, combined fog and contrasting, complementary colors to create drama, tension, and excitement during a high school football photo shoot.
Jay P. Morgan from The Slanted Lens demonstrates how easy it is to illuminate confined spaces – like the inside of a space helmet – with our RoscoLED Tape VariWhite Gaffer Kit.
Ken Susi – guitarist for the band Unearth – is both model & student as Photographer Rick Friedman shares two techniques he uses to create moody, evocative colors in his photography.
Jay P. Morgan from The Slanted Lens shares how using Rosco gels to change the color of the light in the shot can change the entire look of an image.
This translation of Sergio Fabara’s “Kinofabara” blog is not only an excellent visual guide of our e-colour+ filters for photographers and filmmakers, but it also provides valuable information about how to choose the color filter you need.
Photographer Lindsay Adler’s images for an “Elle Indonesia” article used bold, in-your-face color that inspired another photographer to put the same techniques to work in his own photo shoot.
Five actionable tips on how to effectively use theatrical fog & haze in your photography that you can put to work immediately on your next video or photo shoot – via The Slanted Lens