Scenic artist Angelique Powers explains why Off Broadway Raw Umber is so useful as she illustrates her techniques for aging and grunging-up scenery with this unattractive paint color.
Thanks to a special connection, one lucky ballet school received a magical, growing Christmas tree for their production of “The Nutcracker” – painted by acclaimed scenic designer Alain Vaes!
Scenic artist and instructor Angelique Powers not only shares her favorite techniques for mixing off white colors, she even provides recipes for mixing up the beige & grey tones you’ll use most.
The artisans that create the floats for the Toronto Santa Claus Parade use a variety of Rosco scenic products to bring their characters to life.
Props artisan Karestin Harrison shares two of her favorite recipes for creating fake food that can be used in theatre or film/video productions.
The team at the Derse marketing agency uses a blend of Rosco Fluorescent Paints to add the electric “pop” needed to create the neon Volt color seen inside Nike Stores across the United States.
A theatre instructor in Tucson Arizona shares how he created ‘Greased Lightning’ for his production of “Grease,” which he painted with Rosco Off Broadway scenic paint.
A technical director explains why he chooses Rosco’s Tough Prime Black to cover the stage deck in his theater.
The Kitchener Waterloo Symphony installed Rosco Flexible Silver Mirror on their stage floor to reflect the geometric shapes that were projected on the background.
Wonderful examples that showcase how Rosco FlexBond works as a primer to smooth out Worbla – a useful thermoplastic for costume and prop design.