Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Photographer, Tim Engle, combined fog and contrasting, complementary colors to create drama, tension, and excitement during a high school football photo shoot.
Choreographer, Wayne McGregor & Lighting Designer, Lucy Carter, used Rosco Custom LitePads to create a vibrant, orange band of light as the sole visual element on stage for the ballet “Obsidian Tear.”
Lighting designers from Light Collective found that Rosco’s LitePad Vector was the perfect light to use while shooting interviews for their documentary – “The Perfect Light.”
A collection of the blog posts that resonated most in 2017 for each of our core markets.
While searching for a solution to evenly light the dome inside a hotel ballroom, Lighting Designer, Adrian Goldberg, wondered if RoscoLED Tape would accomplish the task.
Needing to stage a production of “Cabaret” inside a rehearsal space, Lighting Designer, Marcella Barbeau, used the unique, existing fluorescents in the space to add color into her pre-show lighting.
In order to broadcast live at the end of each stage of the Tour de France, NBC Sports hires a mobile studio equipped with RoscoVIEW – enabling its viewers to see the cycling action in the background.
The latest work of Experimental Filmmaker and Artist, Margaret Honda, is entitled “Film.” It explores the fundamentals of color filters by showcasing an entire range of Rosco gels on the windows of an exhibition space.
Jay P. Morgan from The Slanted Lens demonstrates how easy it is to illuminate confined spaces – like the inside of a space helmet – with our RoscoLED Tape VariWhite Gaffer Kit.