Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Cinematographer Christopher Lew used the LED strips inside our RoscoLED Tape Gaffer Kit to illuminate actors inside the tight confines of a Mini Cooper.
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!
Gabe Mayhan took our new LED solutions – Silk 210 & RoscoLED Tape – on location to shoot an indie feature called “Lazy Eye.” Find out how they helped Gabe and his team shoot fast, while still capturing stunning imagery.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
As a part of our recent upgrade to LitePad HO+ and LitePad Axiom, we have also released a new range of LitePad Kits going from two LitePad Kits to nine different LitePad Kits to choose from. Today’s Spectrum post will offer some guidance to choosing the proper kit for your project and highlight how one…