Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Stan Miller, the owner of Rosco, talks about how the company began selling scenic paint, and how that expansion of our product range turned many “theatrical lighting” companies into the “theatrical supply” companies you know today.
Stan Miller, the owner of Rosco, talks about how keeping the word “Laboratories” in our name, enabled the company to expand its product range over the years.
The set design company Ras Escenografías used Rosco Scenic Paints to create beautiful backdrops for the Carnival celebrations in Cádiz Spain.
The artisans that create the floats for the Toronto Santa Claus Parade use a variety of Rosco scenic products to bring their characters to life.
The team at the Derse marketing agency uses a blend of Rosco Fluorescent Paints to add the electric “pop” needed to create the neon Volt color seen inside Nike Stores across the United States.
A technical director explains why he chooses Rosco’s Tough Prime Black to cover the stage deck in his theater.
Paul Shillito posted a video-tutorial on his Video Alchemy website that compares the green “keying paint” he had made at his local paint store to Rosco’s Chroma Key Green Video Paint.
Share Your Work – Get A Mug!
Lighting designers and scenic painters – find out how simple it is to send us photos of your work and get rewarded with a one-of-a-kind Rosco coffee mug!