Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using Plexiglas and Rosco CrystalGel and Supersaturated Scenic Paints.
Scenic artist Rachael Claxton shares her favorite new technique for creating a realistic lawn on stage.
The set design company Ras Escenografías used Rosco Scenic Paints to create beautiful backdrops for the Carnival celebrations in Cádiz Spain.
A theatre instructor in Tucson Arizona shares how he created ‘Greased Lightning’ for his production of “Grease,” which he painted with Rosco Off Broadway scenic paint.
Scenic artists at Arizona Theatre Company explain how they used Rosco Off Broadway Paints to tone & age their set for a production of “Fences.”