Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
Shopping for the stage technician, filmmaker or photographer in your life? Rosco’s Chad Tiller shares his favorite gift ideas, which are as thoughtful as they are practical.
Thanks to its gorgeous, perfectly-rendered and soft light output, and its compact, portable design, lighting designer Martin Labrecque put several of our new Silk 210 LED fixtures to work lighting the video simulcast of the popular Montréal radio show “La soirée est (encore) jeune.”
When the crew filming Tomorrowland visited The City of Arts and Sciences in Valencia, Spain, they arrived with an urgent order for filmmaking textiles like butterflies, flags and floppies – not to mention more than 400 meters of blue Chroma Key fabric that they needed for digital compositing.