Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
The Silk 220 is the brightest Silk LED soft light we’ve released yet! Even with all its brilliance, the fixture still maintains the soft, uncompromisingly clean output Rosco Silks are known for.
Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
Two high-profile news crews chose to use Rosco’s Silk 210 LED fixtures to illuminate their broadcast sets at the 2016 Democratic National Convention in Philadelphia.
Gabe Mayhan took our new LED solutions – Silk 210 & RoscoLED Tape – on location to shoot an indie feature called “Lazy Eye.” Find out how they helped Gabe and his team shoot fast, while still capturing stunning imagery.
Thanks to its gorgeous, perfectly-rendered and soft light output, and its compact, portable design, lighting designer Martin Labrecque put several of our new Silk 210 LED fixtures to work lighting the video simulcast of the popular Montréal radio show “La soirée est (encore) jeune.”