As a part of the Westminster Bridge Regeneration Project, Michael Grubb Studio specified several Image Spot fixtures with Rosco Custom B&W Glass Gobos to enhance one of the busiest roads in London.
An examination of why the marley floor inside a dance studio is important, and why choosing the right marley floor is just as important.
Ever notice that “gel colors” created by color-mixing LED lights rarely match other lights with actual gels? DMG Lumière MIX LED fixtures solve that dilemma with True Rosco Color & accurate Rosco gel color matches.
Student filmmakers describe the advantages and the surprise benefits of using a Rental SoftDrop to create the background visuals for their short film.
Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
While designing a one-man show, LD Jimmy Lawlor determined that he needed to make the venue’s LED Par lights more versatile. That’s when he discovered Rosco’s OPTI-SCULPT beam shaping filters.
Lighting Designer Adrian Goldberg describes how he integrates RoscoLED Tape VariWhite into news desks to improve the lighting for news anchors.
Nick Davidson, a lighting designer at Thinkwell Group, specified hundreds of Rosco Miro Cubes to create accent and special effect lighting throughout many attractions inside Warner Bros. World Abu Dhabi.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.