Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
The Image Spot Mini is an ultra-compact and lightweight version of our popular Image Spot LED projector that features many of the same qualities – including powerful output and crisp imaging.
Director of Photography Jacin Lowe lives in sunny Bermuda shooting corporate videos, and he uses Roscoscrim to control the window light so he can show off beautiful Bermuda in the background.
Lighting Designer Robinson Wilson allows the Rosco Color of the Week posts he sees on our Facebook page to inspire him to try new colors and color combinations in his work.
The design team on the Baker-Baum Concert Hall color mixed the RGBW LEDs inside our Rosco Miro Cube 4C fixtures to create white light to enhance the natural wood accents inside the venue.
Photographer Alexis Cuarezma loves contrasting warm and cool light in his photography, but he rarely used blue gels. Instead, he uses a combination of white balance and warming color filters.
Using nearly 1.5 years of feedback from filmmakers in the field – we are releasing a number of fantastic updates and upgrades for our DMG Lumière MIX LED technology.
Scenic Artist and instructor Bridgette Dennett explains how useful our Earth Umber scenic paint is. She then shares the origin story of this often overlooked, neutral-brown Off Broadway color.
Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
Designers at Obscura Digital chose Rosco Custom Glass Gobos to project flowers & leaves onto San Francisco’s historic Conservatory of Flowers for an installation of their “Photosynthesis” light art series.