An inquiry about our gel numbering system comes in via email from a theatre student in Oklahoma. Stan Miller, the owner of the company, responds with the whole history!

An inquiry about our gel numbering system comes in via email from a theatre student in Oklahoma. Stan Miller, the owner of the company, responds with the whole history!
The Rosco Digital Imaging team collaborated with filmmakers on HBO’s “Divorce” to create a set of SoftDrops that allowed them to match the wintry setting established in the pilot.
The Kitchener Waterloo Symphony installed Rosco Flexible Silver Mirror on their stage floor to reflect the geometric shapes that were projected on the background.
Five actionable tips on how to effectively use theatrical fog & haze in your photography that you can put to work immediately on your next video or photo shoot – via The Slanted Lens
Wonderful examples that showcase how Rosco FlexBond works as a primer to smooth out Worbla – a useful thermoplastic for costume and prop design.
Paul Shillito posted a video-tutorial on his Video Alchemy website that compares the green “keying paint” he had made at his local paint store to Rosco’s Chroma Key Green Video Paint.
Lighting designer Ben Eng used one X24 Effects Projector to “submerse” his entire stage in a realistic, watery lighting-effect during a production of “The Little Mermaid.”
Theatrical designer Josh Kigner walks you through his process for creating a foam sculpture – from slicing the foam, to protecting it with Rosco FoamCoat.
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
One year ago – we gave the Rosco Spectrum blog a complete overhaul. After a year of experience, we awarded “Senior Superlatives” to some of the new features.