Cinematographer Danna Kinsky describes how she used Rosco LED lighting solutions to create lighting effects for an experimental film entitled “The Secrets.”
Author Archives: Sara Leeper
Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
The filmmakers on Hulu’s “The Handmaid’s Tale” discuss why they chose Rosco’s SoftDrop and how they put it to work creating the background imagery behind a new set created for season 3.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
Student filmmakers describe the advantages and the surprise benefits of using a Rental SoftDrop to create the background visuals for their short film.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Filmmakers working on The CW’s “DC’s Legends of Tomorrow” needed a bright gobo projector that was small enough to fit inside the ceiling of their set. Rosco Image Spot was their solution.
The crew at TA Films used to shoot their chroma key shots in front of green screen fabric – then they learned the value of having a painted green screen cyc wall and of Rosco’s Chroma Key Green Paint.
KNPB-TV in Reno, NV began their upgrade to LED studio lights with Rosco’s Braq Cube WNC LED fixtures that they use as backlighting for their local programs.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.