Two scenic artists explain how they used Rosco Scenic Products to coat and protect a foam skull entryway that transformed a home into a haunted house – this Halloween, and for Halloween seasons to come.
Author Archives: Jenny Knott
Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Glasgow Piano City decorates donated pianos in vibrant Rosco Scenic Paints and then makes them available for anyone to play at locations throughout the city of Glasgow, Scotland.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Costume Crafts Artisan Denise Wallace-Spriggs shares her technique for making stain-free, washable costume blood effects using Rosco CrystalGel.
Rosco’s Jenny Knott and Scenic Artist and Historian, Wendy Waszut-Barrett, taught a scenic painting workshop at CITT that merged historical scene painting techniques with modern materials.
Costume Artist, Denise Wallace-Spriggs, describes how to use Rosco CrystalGel to firmly attach glitter to costumes. The results are durable, flexible and sparkly!
Scenic Artist, Jenn Bobo, used Rosco UV paints to create a special effect that announced the angel’s arrival on stage in a production of “Angels in America.”
Thanks to a special connection, one lucky ballet school received a magical, growing Christmas tree for their production of “The Nutcracker” – painted by acclaimed scenic designer Alain Vaes!