Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.

Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Designers used Rosco Image Spots to create warm and crisp gobo projections that subtly blended into the gothic architecture of Metz Cathedral.
Lighting Designer Johan Röklande used Rosco Image Spots to light up the walkways of Varberg, Sweden, with themed gobo projections.
A video production company used Rosco’s DMG SL1 MIX lights to create bright and bold colors for a pair of dance videos.
Gaffer Wayne Shields describes a specific lighting effect he and his crew created for season 2 of “The Witcher” on Netflix using Rosco MIX lights and gels.
Rosco digitally illuminated the Berlin skyline to create a SoftDrop for the film “I’m Your Man” because the city itself was dark due to a COVID-19 lockdown.
These are the questions that most filmmakers ask when they first learn about Rosco e-colour+. Once they hear the answers, they usually switch from Lee to E!
Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
Designers integrated a variety of Rosco LED fixtures inside The National Museum of the U.S. Army to illuminate over 245 years of Army history.
Designers used Rosco X-Effects LED Projectors to create a flowing river of light at the starting point of a popular bicycle trail in Quebec, Canada.