An explanation about the difference between our Protective Filters: R1991 Super Heat Shield, R1995 Thermashield, and R3114 UV Filter.
Lighting Designer Cha See describes three Rosco solutions she used to create green light in her design for a NYTW production of the play “Houseplant.”
Lighting Designer Mike Baldassari describes how he worked with Rosco to create R381 Baldassari Blue in order to solve a common lighting design issue.
Lighting Designer Edward Hansen explains why the Rosco I-Cue Moving Mirror is an “incredibly versatile tool” – especially for venues with a limited number of light fixtures and dimmers.
When the design team at Sight & Sound Theatres needed a set of compact LED fixtures they could integrate into the set for their production of “Jesus,” they chose Rosco Pica and Miro Cubes.
Lighting Designer Bradley King explains why and how he chose the Rosco Braq Cube 4C as the footlights in his his Tony Award®-winning lighting design for the hit Broadway musical “Hadestown.”
Lighting Designer Robinson Wilson allows the Rosco Color of the Week posts he sees on our Facebook page to inspire him to try new colors and color combinations in his work.
The design team on the Baker-Baum Concert Hall color mixed the RGBW LEDs inside our Rosco Miro Cube 4C fixtures to create white light to enhance the natural wood accents inside the venue.
To celebrate the 30th anniversary of their most famous roller coaster – Magnum XL-200 – Cedar Point Amusement Park upgraded the ride with new sound & lighting effects, and a Rosco Intelligent Fog System.
Several Rosco Braq Cube 4C LED fixtures were installed inside the new Oxy Arts venue in Los Angeles. One of the first programs they lit up was a residency from the world-famous Bob Baker Marionette Theater.