Lighting Designer, Al Crawford, designed a custom gobo for a gala he was designing. That pattern is now a part of the Rosco gobo library. Al shares the inspiration for his Crawford Leaf gobo design.
Lighting Designer, Nick Davidson, installed our ultra-compact Pica Cubes inside a moving platform for DIAVOLO Dance Company because A.) they fit and B.) they were able to operate via wireless DMX & Battery Power.
Choreographer, Wayne McGregor & Lighting Designer, Lucy Carter, used Rosco Custom LitePads to create a vibrant, orange band of light as the sole visual element on stage for the ballet “Obsidian Tear.”
Needing to stage a production of “Cabaret” inside a rehearsal space, Lighting Designer, Marcella Barbeau, used the unique, existing fluorescents in the space to add color into her pre-show lighting.
Rosco’s Intelligent Fog System creates fog & haze inside The Henry Ford Museum’s Manufacturing Innovation Theater to accentuate the venue’s laser effects and add theatrical energy to the entrance/exit of the show’s star – the Ford F-150.
Lighting Designer, James K. Davis, shares a useful, low-budget, low-tech solution for blending projections from two projectors onto one surface.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Thanks to Airbnb, Rosco’s Margie Heymann ended up renting space inside the apartment of Choreographer/Lighting Designer Christopher Caines. While they were neighbors, Margie interviewed Christopher about his approach to lighting for dance.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.