Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
The filmmakers working on several of the Marvel Netflix series chose to use Rosco SoftDrops to re-create a variety of New York City neighborhoods on their sets.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
The Production Design team for the BBC’s “Little Women” used Rosco SoftDrops to not only establish both winter & summer scenes – but also switch between the two quickly!
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
Cinematographer Benjamin Gaskell created the same soft look of a Book Lighting setup using a DMG Lumière MAXI Switch shining through a piece of Rosco diffusion during a David Crosby music video shoot.
Seattle Channel renovated the lighting system in their broadcast studio with several Rosco LED light fixtures to create a cooler work-environment with lighting that matched their plasma studio monitors.
Lynn Lane, Photographer for Houston Grand Opera, used three Silk 210 LED fixtures to light a series of ‘silent interview’ portraits of local Houston Veterans for a music video celebrating HGO’s “Veterans Songbook” project.
VIETV-Houston chose RoscoLED Tape to illuminate their news set. They found it to be much easier to use than the LED tape they had installed in previous studios.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.