Rosco’s range of DMG Lumière MIX LED fixtures feature a Green Screen Source Match Mode that makes them all excellent green screen lights.
Cinematographer Vittorio Storaro explains why he designed custom gel colors for the film Dick Tracy – and how those colors became Rosco’s Storaro Selection.
Learn how filmmakers can tile and sync our DMG Lumière MAXI MIX LED lights together to create large light sources on set.
When plans change, and location shoots get cancelled, Rosco has a number of backdrop solutions with quick turnaround times to provide the background imagery your productions needs.
Director Anne Meißner and Cinematographer Cristian Faur chose Rosco Silk LED soft lights to illuminate interviews with children for a documentary webseries
Three Russian filmmakers share stories about how they used Rosco DMG Lumière MIX LED lights to illuminate their projects.
The Firelight effect and True Rosco Colors inside our DMG Lumière MIX LED lights illuminated our short video of WWII paratroopers about to jump into battle.
Lighting Designer Mike Baldassari describes how he worked with Rosco to create R381 Baldassari Blue in order to solve a common lighting design issue.
Filmmaker Tanner Short was so inspired by our Mardi Gras themed Rosco Color of the Week post that he Captured the featured color in the myMIX app and re-created the color with his SL1 MIX light for a Mardi Gras themed videoshoot!
The set lighting team at Toei Studios in Kyoto, Japan invested in DMG Lumière by Rosco LED fixtures to illuminate their hit show “The Woman of S.R.I.”