GETOP Systems, a Taiwanese video integration provider, describes why Rosco DigiComp HD is the ideal blue screen paint for virtual production studios.
Production Designer Gavin Bocquet worked with Rosco to create a highly-customized Rosco SoftDrop for his Jingle Jangle set design.
RoscoLED Tape was used to create an illuminated ceiling for Unbox Therapy’s new YouTube studio, and that ceiling light is all they need to illuminate their product reviews.
Cinematographer – and Rosco Ambassador – Graham Sheldon describes how he used an SL1 MIX light and a V-Hazer to create the “gangster film” look for a project.
Rosco’s range of DMG Lumière MIX LED fixtures feature a Green Screen Source Match Mode that makes them all excellent green screen lights.
Cinematographer Vittorio Storaro explains why he designed custom gel colors for the film Dick Tracy – and how those colors became Rosco’s Storaro Selection.
Learn how filmmakers can tile and sync our DMG Lumière MAXI MIX LED lights together to create large light sources on set.
When plans change, and location shoots get cancelled, Rosco has a number of backdrop solutions with quick turnaround times to provide the background imagery your productions needs.
Director Anne Meißner and Cinematographer Cristian Faur chose Rosco Silk LED soft lights to illuminate interviews with children for a documentary webseries
Three Russian filmmakers share stories about how they used Rosco DMG Lumière MIX LED lights to illuminate their projects.