Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Category Archives: Film, Television and Broadcast
Five Ways DMG Lights Can Help You Shoot Alluring Commercials
Cinematographer Alberto Ulloa shares five lighting setups with DMG Lights that he used to illuminate a recent commercial shoot.
Two Set Design Techniques From HBO’s The Gilded Age
Art Director Laura Ballinger Gardner shares how she used Rosco SoftDrops in “The Gilded Age” set design to create the show’s period, 1880s backgrounds.
MIX-Apalooza: A Simple Lighting Setup Creates Vibrant Colors For Dance Videos
A video production company used Rosco’s DMG SL1 MIX lights to create bright and bold colors for a pair of dance videos.
An Inside Look At A Late-Sunset Lighting Effect For The Witcher
Gaffer Wayne Shields describes a specific lighting effect he and his crew created for season 2 of “The Witcher” on Netflix using Rosco MIX lights and gels.
Rosco SoftDrop® Lights Up Pandemic-Stricken Berlin In I’m Your Man
Rosco digitally illuminated the Berlin skyline to create a SoftDrop for the film “I’m Your Man” because the city itself was dark due to a COVID-19 lockdown.
Nerd-Out On Lighting & Optics In The Cinematography Challenge
We teamed up with SIGMA CINE to produce the Cinematography Challenge where cinematographers have 30 minutes to light & lens a scene based on a random genre.
The Top 5 Most Frequently Asked Questions About Rosco e-colour+
These are the questions that most filmmakers ask when they first learn about Rosco e-colour+. Once they hear the answers, they usually switch from Lee to E!
Re-Creating 17th Century Illumination For Versailles With SL1 SWITCH
Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
Filmmakers on The Colony Reap The Benefits Of Practical Background Visuals
Cinematographer Markus Förderer shares why they chose practical background visuals instead of green screen to create the setting for the award-winning film “The Colony.”