Filmmakers working on The CW’s “DC’s Legends of Tomorrow” needed a bright gobo projector that was small enough to fit inside the ceiling of their set. Rosco Image Spot was their solution.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Filmmakers used two stylized Manhattan skyline Rosco SoftDrops to create a “Rom-Com-Fantasy” version of New York City in the romantic comedy “Isn’t It Romantic.”
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
The crew at TA Films used to shoot their chroma key shots in front of green screen fabric – then they learned the value of having a painted green screen cyc wall and of Rosco’s Chroma Key Green Paint.
Rosco will be sponsoring and supporting many activities this year at Camerimage, the international film festival dedicated to the art of cinematography.
The Lighting Design Group installed several compact and powerful Braq Cube LED fixtures to illuminate the Bloomberg News broadcast studio in Hong Kong and match its overall design aesthetic.
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
KNPB-TV in Reno, NV began their upgrade to LED studio lights with Rosco’s Braq Cube WNC LED fixtures that they use as backlighting for their local programs.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.