Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
Category Archives: Film, Television and Broadcast
Introducing True Rosco Color™
Created Exclusively By DMG Lumière MIX® LED Technology
Ever notice that “gel colors” created by color-mixing LED lights rarely match other lights with actual gels? DMG Lumière MIX LED fixtures solve that dilemma with True Rosco Color & accurate Rosco gel color matches.
Elevate Your Storytelling With Rosco SoftDrop®
Student filmmakers describe the advantages and the surprise benefits of using a Rental SoftDrop to create the background visuals for their short film.
The Versatility Of DMG Lumière MAXI SWITCH Earns Its Place On Set
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
A News Desk Lighting Solution Every Anchor Will Sign Off On
Lighting Designer Adrian Goldberg describes how he integrates RoscoLED Tape VariWhite into news desks to improve the lighting for news anchors.
DMG Lumière MIX® Inspires “The Producer”
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Evolving From Rosco Gels To Multi-Color LEDs – It’s Automatic With DMG Lumière MIX®
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Romanticizing The New York City Skyline for “Isn’t It Romantic”
Filmmakers used two stylized Manhattan skyline Rosco SoftDrops to create a “Rom-Com-Fantasy” version of New York City in the romantic comedy “Isn’t It Romantic.”
Three Lighting Setups – One Key Light!
The DMG Lumière SL1 Switch
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.