Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.

Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Cinematographer Alberto Ulloa shares five lighting setups with DMG Lights that he used to illuminate a recent commercial shoot.
Art Director Laura Ballinger Gardner shares how she used Rosco SoftDrops in “The Gilded Age” set design to create the show’s period, 1880s backgrounds.
A video production company used Rosco’s DMG SL1 MIX lights to create bright and bold colors for a pair of dance videos.
Gaffer Wayne Shields describes a specific lighting effect he and his crew created for season 2 of “The Witcher” on Netflix using Rosco MIX lights and gels.
Rosco digitally illuminated the Berlin skyline to create a SoftDrop for the film “I’m Your Man” because the city itself was dark due to a COVID-19 lockdown.
We teamed up with SIGMA CINE to produce the Cinematography Challenge where cinematographers have 30 minutes to light & lens a scene based on a random genre.
These are the questions that most filmmakers ask when they first learn about Rosco e-colour+. Once they hear the answers, they usually switch from Lee to E!
Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
Cinematographer Markus Förderer shares why they chose practical background visuals instead of green screen to create the setting for the award-winning film “The Colony.”