Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Director of Photography Jacin Lowe lives in sunny Bermuda shooting corporate videos, and he uses Roscoscrim to control the window light so he can show off beautiful Bermuda in the background.
Using nearly 1.5 years of feedback from filmmakers in the field – we are releasing a number of fantastic updates and upgrades for our DMG Lumière MIX LED technology.
Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
The filmmakers on Hulu’s “The Handmaid’s Tale” discuss why they chose Rosco’s SoftDrop and how they put it to work creating the background imagery behind a new set created for season 3.
We shot a video that showcases the Emergency Vehicle effect built into our DMG Lumière MIX LED lights and how that effect can be used during a nighttime exterior, car chase shoot.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
Ever notice that “gel colors” created by color-mixing LED lights rarely match other lights with actual gels? DMG Lumière MIX LED fixtures solve that dilemma with True Rosco Color & accurate Rosco gel color matches.
Student filmmakers describe the advantages and the surprise benefits of using a Rental SoftDrop to create the background visuals for their short film.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.