Filmmakers Adrien Beldan and Julien Jauffret used 30 DMG DASH LED lights to create pulsating lighting effects in the “1Minute” music video for 2Travers.
The filmmakers behind the award-winning feature film “The Father” used a Rosco SoftDrop in their setto provide the background imagery seen outside of their “Anthony’s Flat.”
Oasis Enterprises, our partners in the Middle East, shared how they used Rosco LED solutions to illuminate Al Arabiya’s new, state-of-the-art Dubai studios.
GETOP Systems, a Taiwanese video integration provider, describes why Rosco DigiComp HD is the ideal blue screen paint for virtual production studios.
Production Designer Gavin Bocquet worked with Rosco to create a highly-customized Rosco SoftDrop for his Jingle Jangle set design.
RoscoLED Tape was used to create an illuminated ceiling for Unbox Therapy’s new YouTube studio, and that ceiling light is all they need to illuminate their product reviews.
Cinematographer – and Rosco Ambassador – Graham Sheldon describes how he used an SL1 MIX light and a V-Hazer to create the “gangster film” look for a project.
Rosco’s range of DMG Lumière MIX LED fixtures feature a Green Screen Source Match Mode that makes them all excellent green screen lights.
Cinematographer Vittorio Storaro explains why he designed custom gel colors for the film Dick Tracy – and how those colors became Rosco’s Storaro Selection.
Learn how filmmakers can tile and sync our DMG Lumière MAXI MIX LED lights together to create large light sources on set.