VIETV-Houston chose RoscoLED Tape to illuminate their news set. They found it to be much easier to use than the LED tape they had installed in previous studios.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Lighting designers from Light Collective found that Rosco’s LitePad Vector was the perfect light to use while shooting interviews for their documentary – “The Perfect Light.”
In order to broadcast live at the end of each stage of the Tour de France, NBC Sports hires a mobile studio equipped with RoscoVIEW – enabling its viewers to see the cycling action in the background.
Jay P. Morgan from The Slanted Lens demonstrates how easy it is to illuminate confined spaces – like the inside of a space helmet – with our RoscoLED Tape VariWhite Gaffer Kit.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Al Jazeera recently built two revolutionary broadcast production facilities in London and Qatar – both of which featured floor-to-ceiling windows outfitted with RoscoVIEW to showcase the studios’ panoramic views.
The new MBC Group studios in Dubai and Riyadh are filled with state-of-the-art broadcasting technology – including Rosco Silk LED soft lights, Braq Cube WNC LED fixtures and almost 4 km of RoscoLED Tape.
Rosco has hundreds of backdrops available to rent on your next production. Art departments rely on these five drops again-and-again for background imagery that works on their set.