Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist and instructor Bridgette Dennett explains how useful our Earth Umber scenic paint is. She then shares the origin story of this often overlooked, neutral-brown Off Broadway color.
Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.
Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Glasgow Piano City decorates donated pianos in vibrant Rosco Scenic Paints and then makes them available for anyone to play at locations throughout the city of Glasgow, Scotland.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.
Designers at Houston Ballet installed a Rosco Custom LitePad to create a backlit effect inside their clock set piece for a production of The Nutcracker.