Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.
Designers at Houston Ballet installed a Rosco Custom LitePad to create a backlit effect inside their clock set piece for a production of The Nutcracker.
Costume Crafts Artisan Denise Wallace-Spriggs shares her technique for making stain-free, washable costume blood effects using Rosco CrystalGel.
Scenic Artist, Rachael Claxton, describes three ingenious ways to put Rosco CrystalGel to work in your next scenic art project.
Rosco’s Jenny Knott and Scenic Artist and Historian, Wendy Waszut-Barrett, taught a scenic painting workshop at CITT that merged historical scene painting techniques with modern materials.
Costume Artist, Denise Wallace-Spriggs, describes how to use Rosco CrystalGel to firmly attach glitter to costumes. The results are durable, flexible and sparkly!
Scenic Artist, Jenn Bobo, used Rosco UV paints to create a special effect that announced the angel’s arrival on stage in a production of “Angels in America.”
Scenic Artist, Angelique Powers, shares several techniques on how to create faux patina effects for scenery and props using Rosco Scenic Paint products.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.