Learn more about the features inside the new Miro Cube 2 range of LED fixtures.
Rosco digitally illuminated the Berlin skyline to create a SoftDrop for the film “I’m Your Man” because the city itself was dark due to a COVID-19 lockdown.
We teamed up with SIGMA CINE to produce the Cinematography Challenge where cinematographers have 30 minutes to light & lens a scene based on a random genre.
These are the questions that most filmmakers ask when they first learn about Rosco e-colour+. Once they hear the answers, they usually switch from Lee to E!
Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
See how Rosco CrystalGel was used as a primer for painting foam pumpkins, beach umbrellas, and plastic flowers to create an alien-themed Halloween display.
Scenic artists at The Alliance Theatre in Atlanta shared how they used Rosco Flexbond to create large-scale papier-mâché scenery for a production.
Cinematographer Markus Förderer shares why they chose practical background visuals instead of green screen to create the setting for the award-winning film “The Colony.”
Cinematographer & Rosco Ambassador Richard William Preisner introduces our new Rosco E276 Blackout by demonstrating three ways to use it on set.
Designers integrated a variety of Rosco LED fixtures inside The National Museum of the U.S. Army to illuminate over 245 years of Army history.