Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
A collection of the blog posts that resonated most in 2017 for each of our core markets.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic artist Angelique Powers explains why Off Broadway Raw Umber is so useful as she illustrates her techniques for aging and grunging-up scenery with this unattractive paint color.
Scenic artist and instructor Angelique Powers not only shares her favorite techniques for mixing off white colors, she even provides recipes for mixing up the beige & grey tones you’ll use most.
Scenic artist Angelique Powers shares her technique for creating a bold and powerful scenic backdrop & groundcloth for a production of “Earthquakes in London.”
Scenic painter Angelique Powers explains why sometimes regular house paint doesn’t work on stage – sometimes the results are catastrophic.