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Tag Archives: barry andersson

The Rosco Silk® 220 & DMG Lumière MAXI Switch – The Dynamic Duo For Set Lighting

Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.

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Film, Television and Broadcast Barry Andersson March 16, 2018 Questions?

Rosco Silk® LED Soft Lights
Easy Illumination For Your Next Video Shoot

Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.

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Film, Television and Broadcast Barry Andersson January 18, 2018 Questions?

Rosco Silk® 210 vs A 1K Fresnel
A Real-World Comparison

Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.

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Film, Television and Broadcast Barry Andersson June 27, 2017 Questions?

Rosco Silks® Save A Rooftop Night Shoot

Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.

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Film, Television and Broadcast Barry Andersson May 23, 2017 Questions?

Hazed and Confused?
Comparing Atmospheric vs Camera Filter Haze Effects

Barry Andersson compares the haze effects created by both Rosco’s V-Hazer and the Tiffen Pro-Mist camera filters, and he shows what happens when they’re combined.

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Film, Television and Broadcast Barry Andersson July 12, 2016 Questions?

Green Screen: It’s So Much Easier Lit In Green

Cinematographer Barry Andersson explains why adding green gels to the lights illuminating a green screen yields a faster, cleaner key, which saves time and money in post.

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Film, Television and Broadcast Barry Andersson May 13, 2016 Questions?

LitePad Vector: The Swiss Army Knife of Lighting

Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.

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Film, Television and Broadcast Barry Andersson January 14, 2016 Questions?

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