Production Designer Gavin Bocquet worked with Rosco to create a highly-customized Rosco SoftDrop for his Jingle Jangle set design.
The filmmakers on Hulu’s “The Handmaid’s Tale” discuss why they chose Rosco’s SoftDrop and how they put it to work creating the background imagery behind a new set created for season 3.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
The Production Design team for the BBC’s “Little Women” used Rosco SoftDrops to not only establish both winter & summer scenes – but also switch between the two quickly!
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Go behind the scenes with cinematographer Justin Black to learn how he uses the LED strips inside his RoscoLED Tape Pro Gaffer’s Kit to create various lighting effects.
RoscoLED Tape provides the backlighting for an exhibit of iconic rock & roll photographs from photographer Neal Preston.
Gabe Mayhan took our new LED solutions – Silk 210 & RoscoLED Tape – on location to shoot an indie feature called “Lazy Eye.” Find out how they helped Gabe and his team shoot fast, while still capturing stunning imagery.
Cinematographer Eduardo Fierro used Rosco LitePads to light up bags of Doritos – from INSIDE a vending machine – when shooting his 2014 semi-finalist submission for the Doritos Crash The Super Bowl Contest.