Rosco digitally illuminated the Berlin skyline to create a SoftDrop for the film “I’m Your Man” because the city itself was dark due to a COVID-19 lockdown.
Cinematographer Markus Förderer shares why they chose practical background visuals instead of green screen to create the setting for the award-winning film “The Colony.”
Filmmakers on the Netflix series Halston used a customized Rosco SoftDrop to create the “New York City in the 1980s” setting of the show.
The filmmakers behind the award-winning feature film “The Father” used a Rosco SoftDrop in their setto provide the background imagery seen outside of their “Anthony’s Flat.”
Production Designer Gavin Bocquet worked with Rosco to create a highly-customized Rosco SoftDrop for his Jingle Jangle set design.
The filmmakers on Hulu’s “The Handmaid’s Tale” discuss why they chose Rosco’s SoftDrop and how they put it to work creating the background imagery behind a new set created for season 3.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
The Production Design team for the BBC’s “Little Women” used Rosco SoftDrops to not only establish both winter & summer scenes – but also switch between the two quickly!
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.