Seattle Channel renovated the lighting system in their broadcast studio with several Rosco LED light fixtures to create a cooler work-environment with lighting that matched their plasma studio monitors.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Lighting designers from Light Collective found that Rosco’s LitePad Vector was the perfect light to use while shooting interviews for their documentary – “The Perfect Light.”
The Silk 220 is the brightest Silk LED soft light we’ve released yet! Even with all its brilliance, the fixture still maintains the soft, uncompromisingly clean output Rosco Silks are known for.
Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
Filmmaker Micah Van Hove recently reviewed our LitePad Vector for NoFilmSchool.com. In these excerpts from his excellent review, we show some of the clever ways he put the Vector to work on his projects.