Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.

Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Cinematographer Matt Bendo used a Rosco V-Hazer to create atmosphere in four different scenes of a short film, which provided each scene with its own distinct mood and tone.
Cinematographer Christopher Lew used the LED strips inside our RoscoLED Tape Gaffer Kit to illuminate actors inside the tight confines of a Mini Cooper.
Go behind the scenes with cinematographer Justin Black to learn how he uses the LED strips inside his RoscoLED Tape Pro Gaffer’s Kit to create various lighting effects.