Cinematographer Eduardo Fierro used Rosco LitePads to light up bags of Doritos – from INSIDE a vending machine – when shooting his 2014 semi-finalist submission for the Doritos Crash The Super Bowl Contest.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
We’ve gone through all the stats and we’re proud to announce The Top-5 Spectrum blog posts for 2015 – according to you, our loyal Spectrum readers! #1 Creating Custom Candle Holders For Hamilton Seeing that Hamilton the Musical is the #1 hit on Broadway, it’s no surprise that it’s also the #1 hit on Rosco…
Shopping for the stage technician, filmmaker or photographer in your life? Rosco’s Chad Tiller shares his favorite gift ideas, which are as thoughtful as they are practical.
Thanks to its gorgeous, perfectly-rendered and soft light output, and its compact, portable design, lighting designer Martin Labrecque put several of our new Silk 210 LED fixtures to work lighting the video simulcast of the popular Montréal radio show “La soirée est (encore) jeune.”
Our newest product – Rosco SoftDrop – offers huge, seamless images, in a matte finish, that are printed onto a wrinkle-resistant cotton drop, which is easy to ship, easy to hang and easy to light.
Cinematographer Gabe Mayhan used a LitePad Vector 3-Head Location Lighting Kit on a shoot with very tight spaces where he needed something small and controllable for a key light for one of the principals.
Cinematographer Mike McMurray showcases all of the features Rosco’s new SoftDrop® technology has to offer.
Cinematographer Stephen McNutt describes how he uses Rosco X24 Effects Projector to create dynamic lighting effects that help his visual effects team create more convincing visuals in post.
Disney’s recent adaptation of Stephen Sondheim’s Into the Woods for the big screen not only performed well at the box office, it’s also poised to capture three Oscars this weekend – including nominations for Dennis Gassner, Production Designer and Anna Pinnock, Set Decorator in the category of Best Production Design of a Feature-Length Film. Being…