While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Cinematographer Michael Svitak recently shot a series of interviews across the US for Home Helpers. He needed a mobile LED fixture that would provide attractive lighting. The Rosco Silk 210 Kit did the job.
Cinematographer Christopher Lew used the LED strips inside our RoscoLED Tape Gaffer Kit to illuminate actors inside the tight confines of a Mini Cooper.
Go behind the scenes with cinematographer Justin Black to learn how he uses the LED strips inside his RoscoLED Tape Pro Gaffer’s Kit to create various lighting effects.
Cinematographer Eduardo Fierro used Rosco LitePads to light up bags of Doritos – from INSIDE a vending machine – when shooting his 2014 semi-finalist submission for the Doritos Crash The Super Bowl Contest.
Thanks to its gorgeous, perfectly-rendered and soft light output, and its compact, portable design, lighting designer Martin Labrecque put several of our new Silk 210 LED fixtures to work lighting the video simulcast of the popular Montréal radio show “La soirée est (encore) jeune.”
When the crew filming Tomorrowland visited The City of Arts and Sciences in Valencia, Spain, they arrived with an urgent order for filmmaking textiles like butterflies, flags and floppies – not to mention more than 400 meters of blue Chroma Key fabric that they needed for digital compositing.