Acrylic barriers & backlit lightboxes were instrumental in the pandemic stage design for a streamed opera production at The Royal Conservatory of Music.
Lighting designers at Tokyoblue specified over 300 Miro Cubes to illuminate different attractions inside Singapore’s award-winning Changi Airport.
Filmmakers working on The CW’s “DC’s Legends of Tomorrow” needed a bright gobo projector that was small enough to fit inside the ceiling of their set. Rosco Image Spot was their solution.
LD Paul Normandale and Brilliant Stages relied on the durability and accurate light output of RoscoLED Tape VariWhite to illuminate several set elements on Arctic Monkey’s “Tranquility Base Hotel + Casino” UK tour.
The Lighting Design Group installed several compact and powerful Braq Cube LED fixtures to illuminate the Bloomberg News broadcast studio in Hong Kong and match its overall design aesthetic.
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
Filmmaker Micah Van Hove recently reviewed our LitePad Vector for NoFilmSchool.com. In these excerpts from his excellent review, we show some of the clever ways he put the Vector to work on his projects.
Get to know Pica Cube – the newest and smallest addition to Rosco’s Cube Family of LED fixtures – and learn how you can WIN four Pica Cubes!
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.