Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Rosco Custom LitePads were chosen to illuminate one of the central reception areas of Dublin’s redeveloped Miesian Plaza.
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
We discovered Emma Davies, a commercial and fine art flower photographer, on Twitter. She had expressed interest in trying out some of our LitePads on an upcoming photoshoot – so we made her dreams come true and sent over some LitePad Axioms for her to try. Below is Emma’s report on the results of that…
This is an excerpt from Hurlbut Visuals, one of the most knowledgeable bloggers in the film industry. Hurlbut Visuals was created by Lydia and Shane Hurlbut, ASC, to educate and inspire one filmmaker at a time. Through the creation of original content, Shane and his elite team test new products and experiment with innovative techniques. …