Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Christian Epps, an acclaimed gaffer and lighting designer, shares his lighting techniques with filmmakers in Lagos, Nigeria – including how to work with Rosco’s range of correction, diffusion & bounce materials.
Cinematographer Christopher Lew used the LED strips inside our RoscoLED Tape Gaffer Kit to illuminate actors inside the tight confines of a Mini Cooper.
Go behind the scenes with cinematographer Justin Black to learn how he uses the LED strips inside his RoscoLED Tape Pro Gaffer’s Kit to create various lighting effects.
Barry Andersson compares the haze effects created by both Rosco’s V-Hazer and the Tiffen Pro-Mist camera filters, and he shows what happens when they’re combined.
When the crew filming Tomorrowland visited The City of Arts and Sciences in Valencia, Spain, they arrived with an urgent order for filmmaking textiles like butterflies, flags and floppies – not to mention more than 400 meters of blue Chroma Key fabric that they needed for digital compositing.
Alex Buono is the Film Unit Cinematographer for Saturday Night Live and also the Co-Director/Cinematographer for IFC’s new comedy series Documentary Now! Alex’s work on SNL revolves around shooting the fake commercials and pre-filmed sketches in the show, which they oftentimes complete less than a week after receiving a script. Alex is back on the…