Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.

Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.
Scenic artists at Arizona Theatre Company explain how they used Rosco Off Broadway Paints to tone & age their set for a production of “Fences.”
Peter Miller, Theatre Design Department Faculty at Rutgers University’s Mason Gross School of the Arts, had an inspired revelation at USITT in 2011. He noticed that many of the set designs that required foliage included uninspired, one-dimensional tree-scape drops. So, Peter determined to create a three-dimensional scenic treatment that would envelop the audience into the…
If you are unable to get to USITT in Long Beach this year, our social media outlets will be a great way to experience the show remotely. For those of you unable to attend, our booth will feature a stunning tree that is made up of multiple different substrates and coated using all of our…
In this final Spectrum chapter examining Rosco’s 100 year history, we continue to look at the events that influenced Rosco’s development and, in turn, shaped our industry. So far, we’ve learned how Rosco got its start and how gel, gobos and fog machines were introduced. As of today, we have several hundred products from ten…