Lighting Designer, James K. Davis, shares a useful, low-budget, low-tech solution for blending projections from two projectors onto one surface.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Several large, glowing CANADA 150 signs have been installed all over Canada to celebrate its 150th anniversary. Each sign has RoscoLED VariColor Tape installed providing its multi-colored illumination!
Barry Andersson wanted to know how his Silk 210 LED Soft Light compared to the 1K fresnel setup he was used to working with – so, he shot a video that compared the two lights and shared the results.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic Artist Laura Scheving shares her recent project that highlights how to create marvelous sunrise and sunset backdrop effects with Rosco Scenic Paints.
Production Designer Dan Novotny shares how he was able to create California landscapes for the television show “The Arrangement” using two large Rosco SoftDrops.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using plexiglass and Rosco CrystalGel and Supersaturated Scenic Paints.