Lighting designer Adrian Goldberg describes how he used early versions of VariColor RoscoLED Tape to illuminate the famed color-changing TORONTO sign.
Acclaimed lighting designer Adrian Goldberg shares how he used the advantages of LED tape to quickly, easily and affordably enhance CTV’s broadcast set for the 2012 Olympics. Find out how you can put these set design tips to work in your next project using Rosco’s new RoscoLED Tape.
Lighting designer James K. Davis explains how he used to Rosco Effects Glass gobos like Prismatics and ColorWaves in a production of Shakespeare’s The Tempest to not only create magic on stage – but also realize the vision of the show’s scenic designer and director.
Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.