Scenic Artist Angelique Powers shares nine tips on what NOT to do when working with Roscoflamex Flame Retardants.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
While searching for a solution to evenly light the dome inside a hotel ballroom, Lighting Designer, Adrian Goldberg, wondered if RoscoLED Tape would accomplish the task.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
HTV Houston, which is located inside Houston’s City Hall, sought out a powerful LED lighting solution that would also preserve the look and feel of the historic space. Rosco Braq Cubes were their answer.
Acclaimed lighting designer Adrian Goldberg shares how he used the advantages of LED tape to quickly, easily and affordably enhance CTV’s broadcast set for the 2012 Olympics. Find out how you can put these set design tips to work in your next project using Rosco’s new RoscoLED Tape.