Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
We shot a video that showcases the Emergency Vehicle effect built into our DMG Lumière MIX LED lights and how that effect can be used during a nighttime exterior, car chase shoot.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
Cinematographer Benjamin Gaskell created the same soft look of a Book Lighting setup using a DMG Lumière MAXI Switch shining through a piece of Rosco diffusion during a David Crosby music video shoot.
Introducing MIX from Rosco and DMG Lumière – an LED fixture that will change how filmmakers create colored light on set.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.