Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Introducing MAXI MIX – the newest, largest and brightest MIX LED fixture from DMG Lumière by Rosco!
KNPB-TV in Reno, NV began their upgrade to LED studio lights with Rosco’s Braq Cube WNC LED fixtures that they use as backlighting for their local programs.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”