Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”
Filmmaker Micah Van Hove recently reviewed our LitePad Vector for NoFilmSchool.com. In these excerpts from his excellent review, we show some of the clever ways he put the Vector to work on his projects.
Get to know Pica Cube – the newest and smallest addition to Rosco’s Cube Family of LED fixtures – and learn how you can WIN four Pica Cubes!
Over 850 Rosco Miro Cubes and nearly two miles of our DMX Rosco Track were installed inside the recently renovated Petersen Automotive Museum to illuminate the exotic cars on display inside.