Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
Tag Archives: LED light for gaffers
Introducing True Rosco Color™
Created Exclusively By DMG Lumière MIX® LED Technology
Ever notice that “gel colors” created by color-mixing LED lights rarely match other lights with actual gels? DMG Lumière MIX LED fixtures solve that dilemma with True Rosco Color & accurate Rosco gel color matches.
The Versatility Of DMG Lumière MAXI SWITCH Earns Its Place On Set
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
DMG Lumière MIX® Inspires “The Producer”
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
The Color Evolution Continues To Grow
Introducing MAXI MIX – the newest, largest and brightest MIX LED fixture from DMG Lumière by Rosco!
Evolving From Rosco Gels To Multi-Color LEDs – It’s Automatic With DMG Lumière MIX®
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Three Lighting Setups – One Key Light!
The DMG Lumière SL1 Switch
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
Evolve Your Workflow With MIX®
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
A One-Light Solution For Slo-Mo Video
The DMG Lumière MAXI Switch
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.