Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Filmmakers working on The CW’s “DC’s Legends of Tomorrow” needed a bright gobo projector that was small enough to fit inside the ceiling of their set. Rosco Image Spot was their solution.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
Several filmmakers share why they chose to illuminate their car shoots with Switch LED fixtures from DMG Lumière by Rosco.