A look at how award-winning Cinematographer José Luis Alcaine has used Rosco’s DMG Lumière range of LED fixtures on three of his recent projects.
Tag Archives: LED lights for Gaffers
myMIX™ “Captures” The Night Sky For SKAM France
Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Five Reasons To Add DMG Lumière SWITCH LED Lights To Your Kit
Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
The Versatility Of DMG Lumière MAXI SWITCH Earns Its Place On Set
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
DMG Lumière MIX® Inspires “The Producer”
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Evolving From Rosco Gels To Multi-Color LEDs – It’s Automatic With DMG Lumière MIX®
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Three Lighting Setups – One Key Light!
The DMG Lumière SL1 Switch
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
Evolve Your Workflow With MIX®
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
A One-Light Solution For Slo-Mo Video
The DMG Lumière MAXI Switch
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.