Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
Cinematographer Benjamin Gaskell created the same soft look of a Book Lighting setup using a DMG Lumière MAXI Switch shining through a piece of Rosco diffusion during a David Crosby music video shoot.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.