Director Anne Meißner and Cinematographer Cristian Faur chose Rosco Silk LED soft lights to illuminate interviews with children for a documentary webseries
Filmmaker Tanner Short was so inspired by our Mardi Gras themed Rosco Color of the Week post that he Captured the featured color in the myMIX app and re-created the color with his SL1 MIX light for a Mardi Gras themed videoshoot!
Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
Introducing MIX from Rosco and DMG Lumière – an LED fixture that will change how filmmakers create colored light on set.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.