Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
As a part of our recent upgrade to LitePad HO+ and LitePad Axiom, we have also released a new range of LitePad Kits going from two LitePad Kits to nine different LitePad Kits to choose from. Today’s Spectrum post will offer some guidance to choosing the proper kit for your project and highlight how one…