Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
Tag Archives: LED lights that are built by technicians for technicians
The Versatility Of DMG Lumière MAXI SWITCH Earns Its Place On Set
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Evolve Your Workflow With MIX®
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
A One-Light Solution For Slo-Mo Video
The DMG Lumière MAXI Switch
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Excavating A Lighting Solution Out Of A Challenging Location
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
Switching On The Book Light For A David Crosby Music Video
Cinematographer Benjamin Gaskell created the same soft look of a Book Lighting setup using a DMG Lumière MAXI Switch shining through a piece of Rosco diffusion during a David Crosby music video shoot.
The Rosco Silk® 220 & DMG Lumière MAXI Switch – The Dynamic Duo For Set Lighting
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Rosco & DMG Lumière – A Family Affair
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?