Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Cinematographer Michael Svitak recently shot a series of interviews across the US for Home Helpers. He needed a mobile LED fixture that would provide attractive lighting. The Rosco Silk 210 Kit did the job.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Gabe Mayhan took our new LED solutions – Silk 210 & RoscoLED Tape – on location to shoot an indie feature called “Lazy Eye.” Find out how they helped Gabe and his team shoot fast, while still capturing stunning imagery.