While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Lynn Lane, Photographer for Houston Grand Opera, used three Silk 210 LED fixtures to light a series of ‘silent interview’ portraits of local Houston Veterans for a music video celebrating HGO’s “Veterans Songbook” project.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Cinematographer Michael Svitak recently shot a series of interviews across the US for Home Helpers. He needed a mobile LED fixture that would provide attractive lighting. The Rosco Silk 210 Kit did the job.
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!